Valdosta Daily Times

November 16, 2013

'Thor The Dark World': Thundering still

Adann-Kennn Alexxandar
The Valdosta Daily Times

VALDOSTA — “Thor: The Dark World” (Action/Adventure: 1 hour, 51 minutes)

Starring: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Christopher Eccleston and Anthony Hopkins

Director: Alan Taylor

Rated: PG-13 (Violence and some crude humor)

Movie Review: “Dark World” is the sequel to 2011’s “Thor” (Director Kenneth Branagh), which was more serious. This latest version is entertaining. Thor still lays down the hammer, but some unneeded funny moments are somewhat childish at times.  

Several millennia ago, Dark Elves led by Malekith (Eccleston) attempted to send the universe into darkness by applying Aether, a liquid weapon of immense power. Asgardian warriors stopped the Elves, but Elves merely went into hiding. Enter Jane Foster (Portman) in a present-day United Kingdom. While waiting for the return of her love, the Asgardian god Thor (Hemsworth), Foster is unknowingly infected with the Aether. This awakens Malekith and the remaining Dark Elves who wish to plunge the universe into darkness once again.

Thor is a fascinating figure. Hemsworth plays him as well as this script allows. Commonly, it is Hiddleston, playing Loki, who steals the show as the master of deception. The two are estranged brothers, one good and the other evil. Their relationship fuels the film, especially when considering the actions of their father, Odin, played masterfully by Hopkins.

The film fails when it leaves the beautiful scenic moments of Asgard for Earth. When the setting changes to Earth, the human players are too silly at times, negating the seriousness displayed in previous scenes. Some of the inserted comedy are tedious jokes repeated far too often. These continuous moments are the lesser of the film.

While still good enjoyment, this film does not reach the potential that the first “Thor” offered. Again, several parts remain decent. The relationship between Thor and Loki, the beautiful visuals offered of Asgard and the action displayed. The rest is nominal material.

Grade: B- (Thundering still.)

“12 Years a Slave” (Drama/Biography/Historical: 2 hours, 13 minutes)

Starring: Chiwetel Ejiofor, Paul Giamatti, Benedict Cumberbatch,  Michael Fassbender  and Brad Pitt

Director: Steve McQueen

Rated: R (Profanity, violence, nudity, sexuality and thematic elements)

Movie Review: Based on Solomon Northup’s “12 Years a Slave,” this film, like the writings of Northup, details over a decade of slavery as witnessed by Northup. It is a remarkable tale based on real-life events involving the horrific brutality of slavery.

In 1841 Saratoga, N.Y., Solomon Northup (played keenly by Ejiofor) is a noted musician, husband and father of two children. He is a free man until sold into slavery while in Washington, D.C., by capitalists claiming to be entertainers. For 12 years, Northup is placed on one plantation after the next, being passed from one slaveholder to another. He witnesses the brutality of slavery daily.

For years, history ignored the brutality of slavery, even after it had ended. Historians omitted most of the malevolent acts of slaveholders, such as the raping of female and male slaves, the splitting up of families, the manner in which slaves were beaten and deprived of basic rights to decency. The writings of Northup and others were light to the dark evils of slavery.

“Twelve Years a Slave” showcases the viciousness of slavery as viewers witness injustice and violence faced by Northup and other slaves. Ejiofor (“Children of Men,” 2006) plays Northup well. You feel for his cause to become free again. Slavery breaks him in many ways, yet his love for his family keeps him thriving in a place where death might be a more desirable choice occasionally. Ejiofor maintains his character soulfully.   

The film boasts some good acting. Cumberbatch and Fassbender are talented actors who play plantation owners. Their roles are different. Cumberbatch’s character is a slave owner who treats his slaves with some dignity, and Fassbender is pure malice. Alfre Woodard is good also. She stirs the waters as a slave turned wealthy by coupling with a white slave owner.

The surprise star of this drama is Lupita Nyong’o (television mini-series “Shuga”). The Yale University graduate is moving as Patsey, a slave constantly raped by her master and tormented by the her master’s jealous wife, played nicely by Sarah Paulson. When Nyong’o’s character begs for death, one can easily understand why. Her life contains torment she cannot escape, and Northup witnesses it all.

Steve McQueen (“Hunger, 2008) makes this film about a tragic American period with an earnest flair. He wants audiences to see the brutality of slavery at its height. He achieves that, although the film often appears to allow itself to sink into those moments excessively deep too often. To contemplate the moments presented, the film has nice lengthy visuals to ponder on the appalling complexity of what was. This is a nice touch as it allows audiences a chance to digest what Northup witnesses before showing more.

Despite the brutality offered, “12 Years a Slave” is worthy of being observed by all who can. It is a nice reminder that a great amount of this country was built upon the work of the black slaves, who were treated like animals yet remained strong.          

Hats off to McQueen, Ejiofor and the rest of the cast, and writer John Ridley for the in-depth tale about the treatment of a free man and witness to slavery.  

Grade: A- (Worthy of 12 accolades plus.)